Grammys 2021: 10 Takeaways From A Big, Weird Night || grammy awards 2021 winners predictions

Grammys 2021: 10 Takeaways From A Big, Weird Night || grammy awards 2021 winners predictions
Grammys 2021: 10 Takeaways From A Big, Weird Night

2021 Grammys somehow survived a COVID-inspired six-week delay, not to mention the angry diatribes from The Weeknd, and put together a spontaneous, entertaining, music-packed telecast that, in its entirety, Befling also proved to be infuriating. How can all this be true? read on!

1. The broadcast itself was a triumph. Credit heavily to executive producer Ben Winston, which led to his Grammys debut: his telecast went full length in several stages, cutting through the fat and many fillers of previous years, a vast and varied array of music Exposed and allowed the performers to perform at their best. A typical rural telecast has extreme heights and embarrassing climbs, but Sunday night's performance allowed for train wrecks to be meticulously and efficiently. Just a few weeks before the broadcast of the jumbled, clunky, zoom-dense Golden Globes, Winston showed the world how to do it.

2. The award itself? Hoo boy You can see it coming, yet it sounded shocking: The Grammys took a moment to hand over the 28th Grammy to their world-class career, to acknowledge that it was from Alison Krause for the most grammar yet Will go ahead and honor a woman. Artist. (Watch your back, George Solty!) It was unknowingly at that moment that Beyoncé has a long history of passing for the night's major awards; She has never won Record of the Year or Album of the Year, and she won Song of the Year for "Single Ladies (Put on a Ring)" only once in 2010. Scan a list of the villages that Beyoncé has won, and note the number of modifiers that appear to be "R&B".

So, when it came time to award the final award of the night, it was right for Megan The Stallion and Beyoncé's "Savage"? Megan had already won Best New Artist; "Savage" had already won Best Rap Performance and Best Rap Song; Beyoncé's "Black Parade" had already won Best R&B Performance, and her "Brown Skin Girl" had already won Best Music Video (meaning that Beyoncé's 9-year-old daughter, Blue Ivy Carter, now has her The first is a Grammy). Billy Ellisch, for his part, won the best song written for visual media only for "No Time to Die". But the year's record went to Ilish, who spent most of his speech apologizing to Megan Thea Stallion for the victory.

With no disrespect from Eilish, who handled the situation well, that's grammar for you: they progress; They make adjustments; They fulfill your hopes; They pull the football away at the last minute.

3. The call for boycott will be emphasized. In this year's runup for Grammys, The Weeknd announced that he would never present his music for Grammys idea after the Recording Music Academy failed to nominate him for his blockbuster album After Hours. Beyoncé participated, but did not perform, and she was spending as little energy as possible throughout the affair. The black color of The Grammys has a long history for dark-skinned artists - see, for one notorious example, Macklemore and Ryan Lewis beating Kendrick Lamar at the 'hip-hop categories' awards - and wearing patience thin.

4. It was a mixed bag for the big winners. Many observers expected the night to have another coronation for Taylor Swift, whose album Folklore gave her six Grammy nominations and some of the best reviews. But Swift went 0 for 5 to start, only to pick up the album of the year near the end of the telecast. Eilish, who was famous at last year's awards, did not spearhead much during the rest of the evening. In both cases, major victories overshadowed them.

5. There was better news in the down-ballot race. While it was a shame to see Phoebe Bridgers 0 for 4, Megan Thee Stallion was the clear and perfect pick for Best New Artist (though it was like a head-scratching last year not being nominated in that category) . Fiona Apple unnecessarily dropped off nominations in major categories, winning Best Rock Performance (for "Shamika") and Best Alternative Music Album (for Bolt Cutter). his. Took the song of the year for "I Can't Breathe", a resonating and powerful track. Ketranada became the first black musician to win the Best Dance / Electronic Album in the category's 17-year history - an outrageous milestone, given the genesis of the genre, but a milestone nonetheless.

6. Get ready for a tiring new front in the culture wars! Last year, Cardi B and Megan Thee Stallion released one of the dirtiest songs ever to top the Billboard Hot 100 and "Wap" made its Grammy debut in lavishly, brilliantly entertaining fashion. Be assured that "cancel the culture" and Drs. Sis and Mr. Potato Head will have to make room on the couch doing some conservative unconscious, presumably when you read it.

7. Anyhow, against all odds, no performance is truly done. This particular type of showcase - careful stage management, good sound mix, with a mix of live and pre-tapped moments, to accommodate many changes Many stages and so on allow artists to do their best work. The 3 was a 1/2-hour music-industry infomercial The Grammys, and the beneficiaries themselves included both musicians and a home audience starving for live music.

8. Grammar did not forget the struggling places. Without turning to telethons or slowing down the broadcast, the show did a good job for some of the many music venues whose long-term survival is threatened by a coronovirus epidemic. The Recording Academy was refreshed to see that the success of its industry reached not only streaming and sales but also the return of live music and the venues that made it possible.

9. Trevor Noah deserves more praise than you might think. The host of the Daily Show made a fairly small appearance throughout the night - he didn't preside over any skit, and his monologue was limited to a few quick jokes - but he did a complicated job shaking home audiences. Prize-show machinery. Awards-show hosting gigs are generally thankless, and they made a difficult task easier.

10. Finally, it cannot be repeated enough: Grammarians still have a lot of work to do. It is not a matter of saying, "If Beyoncé or Kendrick Lamar set a great record in 2021, it would have to win Album of the Year." It is that the Grammis do not trust the broad swaths of their audience and membership, and no effort whatsoever, and it needs to be started. They have to instill confidence.

This trust can only come about transparency about their process, their membership and efforts to better reflect their industry and its large-scale worldwide audience. The Grammys' specific response to disputes involves artist-specific efforts to redress grievances of previous years; How Metallica wound up winning eight Grammys in six different years after losing the best metal performance to Jethro Tull in 1989.

The point is not whether Beyoncé should have won the album of the year in Beck's Morning Phase in 2015 or that Lemonade should have won Adele's album of the year over 25, though neither of those two results came with a winner. Was. - Stomach hardening. The point is that the villagers are finding it difficult to maintain this without facing a large-scale rebellion from the artists, which they need to maintain relevance for the purchase.

Post a Comment